Year: 2022

Over the past decade, I’ve been teaching students across Asia, Australia, Europe and the US from my office in rural south-west Ireland. When I started this endeavour, virtual classrooms were sniffed at by most in higher education, from first-year students to vice-chancellors. In spite of this, I stuck with it, working with colleagues to ensure the best possible connectivity so that the experience would be in no way suboptimal for my students.

We experimented with different programmes, grasping and embellishing the things that worked and doing away with those that didn’t. Eventually, emerging technologies started to inform how each class was designed. By now, we have delivered well over 500 seminars to 3,500+ attendees, using more than 10,000 film clips, slides and other multimedia resources.

Since 2012, the uptake of virtual learning has accelerated the world over. Of course, the great catalyst for this expansion was the pandemic, when students and teachers everywhere were forced to rethink teaching and learning from inside their own homes. Universities the world over were forced to confront their ongoing issues with digital access and, by December 2020, 92 per cent of students in the UK were learning either fully or mostly online. Teaching practitioners discovered that virtual classrooms, when used correctly, could be extremely effective.

Better and more accessible technology has meant that learning online has outlasted the darkest days of the global lockdowns. In a survey published in September by Jisc, UK higher education’s main technology organisation, students said they now prefer blended learning to in-person. Last month, a review of blended learning at UK universities by the Office for Students found that students value “the flexibility of asynchronous online lectures” as it allows them to learn at their own pace.

And yet, we still talk about “digital education”.

In his excellent 2021 report on digital teaching, Sir Michael Barber found that when we are designing successful education programmes for the future, “technology cannot just be bolted onto existing teaching material”. It seems to me that part of the problem boils down to the way in which we perceive education itself. Digital technology will never be properly integrated if it is seen as something separated from the hard work being practised in-person, day in and day out in the classroom. Nobody ever mentions “digital communication” any more – we simply email, WhatsApp, instant-message and share stories on social media without a second thought. We need to start taking the same approach to how we learn.

The best way to break away from the idea that digital education and education are separate categories is to ensure practitioners are given the resources they need to truly understand the technological programmes they’re expected to use. Government has a key role to play here, but it will also require some perceptive foresight on the part of teachers and – especially – curriculum builders.

Technology will inevitably become better integrated into lesson plans as more and more “digital natives” from Generation Z enter the workforce, but the fact remains that digital tools are living, fluid things, ever-changing and developing. If we have learned anything from the past few years of virtual teaching, it is that practitioners need to better prepare for how their future students will learn. Surely this should be the goal of all professional development, to make us better at delivering uncontested outcomes.

I’m personally convinced that the most immediate challenge facing us lies in finding a satisfying and sustainable balance between the collective and individualised experience. Educators should be keenly aware of the rise of entertainment pursuits that provide a bridge between the solitary and the shared – most notably, immersive gaming. Of course, I am not advocating for the “gamification” of education. Rather, I am suggesting that we should acknowledge the new environments that young people want to inhabit and adapt them for the classroom.

One of the buzziest examples is the so-called metaverse: the imagined future of the internet, characterised by virtual and augmented reality. Only last month we learned that Chinese universities are investing heavily in metaverse technologies in order to establish their leadership in the field. Recent research undertaken by educationalists in the US has found that virtual learning can help increase interest and motivation among students and improve both personalisation and collaborative learning. However, many challenges still exist with the use of virtual or augmented technologies, not least in relation to accessibility and affordability.

The goal should not be to replace our brilliant physical classrooms with headsets that promise trips to distant galaxies or to the bottom of the ocean. But we must aim at least to treat these emerging technologies as exciting tools – additions to our arsenal – and to engage with what they can offer when designing future curricula.

The educational metaverse should not be siloed off into its own category of learning. Instead, like online lessons and digital resources, let’s integrate it into existing and emerging pedagogies before it’s too late.

David Puttnam is an educator, film producer and a recently retired member of the House of Lords. Since 2012 he has been chairman of Atticus Education, a pioneering education company delivering audio-visual seminars on all aspects of the screen-based industries to students around the world. He is chair of the Education Advisory Board of Nord Anglia Education and president of the National Film and Television School.

This has been a week of tremendous successes. Congratulations to The University of Sunderland film production and photography teams and students on the number one spot in the Guardian’s Best Universities League Tables. This is what 25 years of commitment can achieve!

UK universities ranked by subject area: film production and photography – The Guardian

I would also like to offer my sincere congratulations to Lachlan Pendragon, a Griffith University alumni who’s terrific “An Ostrich Told Me the World Is Fake and I Think I Believe It” deservedly won a Student Academy Award for Animation. I could not be more proud!

David.

Atticus Education, The University of Sunderland, North East Screen and Pinewood Group are delighted to present a special evening in conversation with Lord David Puttnam, one of the legends of British Cinema.

The multi-award-winning film producer will reveal the stories behind some of his greatest movies including Chariots of Fire, The Mission, The Killing Fields, Midnight Express and Local Hero at The Fire Station in Sunderland on Tuesday 11th October.

Using excerpts from these films, for which he has received numerous Academy Awards, BAFTA’s and the Palme D’Or in Cannes, he describes how his career took him from 30 years in the Hollywood- dominated film industry to 24 years in Westminster, where he shaped policy in the areas of Media Ownership, Climate Change, Education, Disinformation and Online Safety.

The event will take place in The Fire Station Auditorium, Sunderland’s brand new and state of the art performance venue set in the heart of the city’s cultural quarter. Tickets will cost £5 with all proceeds going to UNICEF’s Ukraine Children’s Appeal.

Of the event, David Puttnam said, “I’m very much looking forward to being back in Sunderland, not only to meet the University’s talented new Puttnam Scholars in-person, but also to spend an evening revisiting these feature films and some of the tales and anecdotes from the past 50 years. Whilst I hope the evening will be enjoyable for the audience, I am overjoyed that we are also able to together support UNICEF and its critical appeal for the children of Ukraine.”

Tickets are now available via The Fire Station website: www.thefirestation.org.uk. The event will begin at 7.30pm.

Further information:Amy Castle
Head of Communications, Atticus Education [email protected]
07764 355 045

About Atticus Education

Atticus Education is an online education company created by film producer and educationalist, Lord Puttnam. Atticus delivers live interactive seminars to educational institutions around the world, providing high-quality resources to support learning using advance digital distribution systems. Atticus provides content relating to different aspects of the creative industries. David Puttnam is the chair of Atticus Education. He spent thirty years as an independent producer of award-winning films including The Mission, The Killing Fields, Local Hero, Chariots of Fire, Midnight Express, Bugsy Malone and Memphis Belle. His films have won ten Oscars, 31 BAFTAs and the Palme D’Or at Cannes. From 1994 to 2004 he was Vice President and Chair of Trustees at the British

Academy of Film and Television Arts (BAFTA) and was awarded a BAFTA Fellowship in 2006. He retired from film production in 1998 to focus his work on public policy as it relates to education, the environment, and the creative and communications industries. He was awarded a CBE in 1982, a knighthood in 1995 and was appointed to the House of Lords in 1997 and retired in 2021. In France he was made a Chevalier of the Order of Arts and Letters in 1985, becoming an Officer in 1992, and a Commander in 2006. He is the recipient of over 50 Honorary Degrees, Diplomas and Fellowships from the UK and overseas. https://www.davidputtnam.com/masterclass-seminars @DPuttnam

Following a competitive application process for the third year running, Atticus Education, Fís Éireann (Screen Ireland), Northern Ireland Screen and Future Screens NI are delighted to announce this year’s eight Puttnam Scholars.

This cross-border initiative offers promising filmmakers access to interactive online masterclasses with Oscar-winning producer David Puttnam (Midnight Express, Chariots of Fire, The Killing Fields) and each a €1,250 scholarship from Atticus Education towards their career development. The scholarship bursaries are supported by Accenture in Ireland.

The eight participants (four from Northern Ireland and four from the Republic of Ireland) are all emerging writers, directors or producers who have made, or are in the process of developing, their first feature or television drama. Chosen by Future Screens NI and four Irish higher education institutions, the participants are:

· Dee Harvey selected by Future Screens NI

· Jules Charlton selected by Future Screens NI

· Margaret McGoldrick selected by Future Screens NI

· PJ Hart selected by Future Screens NI

· Tara Hegarty, Writer/Producer, nominated by Technological University Dublin

· Lia Campbell, Writer/Director/Producer, nominated by Institute of Art, Design & Technology Dun Laoighaire

· Turlough Ó Cinnéide, Director, nominated by Technological University of the Shannon (formerly Limerick Institute of Technology).

· Mark Smyth, Writer/Director, nominated by Dundalk Institute of Technology

David Puttnam said, “I’m seriously impressed with the calibre of applicants wishing to join our list of Puttnam Scholars this year. We now have eight highly qualified participants, bursting with talent and enthusiasm, and ready to embark on the next phase of their filmmaking journey with Atticus Education – I hope we do them proud!”

A 2021 Puttnam Scholar, Ali Doyle (Head of Development, Wild Atlantic) said of her experience, “Being selected as a Puttnam Scholar was both an incredible honour and an invaluable experience. Across each masterclass, not only did I learn and strengthen my knowledge in these dedicated fields, but the awe-inspiring passion of David Puttnam and each of the invited guests, acted as a reignition of why we make movies and TV, how through these audio-visual mediums, we can teach as much as we can entertain. To all the Puttnam Scholars of 2022, congratulations, you deserve this and enjoy every second of it!”

Over the course of the sessions, Lord Puttnam will explore the following themes: The Power of Identity; The Evolution of Creativity; Fact or Fiction; Builders and Brokers; Music and Meaning; and Interpreting the Future. The sessions are designed to enhance participants’ understanding of the creative process and the cultural context within which the screen industries operate.

Seminars have in the past included conversations with several special guests, each providing insights into their own careers and thoughts on the industry. Guest have included Lenny Abrahamson, Ralph Fiennes, Paul Greengrass and Mark Cousins.

Ends.

Amy Castle

Communications Lead,

Atticus Education

[email protected]

 

About Atticus Education

Atticus Education is an online education company created by film producer and educationalist, Lord Puttnam. Atticus delivers live interactive seminars to educational institutions around the world, providing high-quality resources to support learning using advance digital distribution systems. Atticus provides content relating to different aspects of the creative industries. David Puttnam is the chair of Atticus Education. He spent thirty years as an independent producer of award-winning films including The Mission, The Killing Fields, Local Hero, Chariots of Fire, Midnight Express, Bugsy Malone and Memphis Belle. His films have won ten Oscars, 31 BAFTAs and the Palme D’Or at Cannes. From 1994 to 2004 he was Vice President and Chair of Trustees at the British Academy of Film and Television Arts (BAFTA) and was awarded a BAFTA Fellowship in 2006. He retired from film production in 1998 to focus his work on public policy as it relates to education, the environment, and the creative and communications industries. He was awarded a CBE in 1982, a knighthood in 1995 and was appointed to the House of Lords in 1997 and retired in 2021. In France he was made a Chevalier of the Order of Arts and Letters in 1985, becoming an Officer in 1992, and a Commander in 2006. He is the recipient of over 50 Honorary Degrees, Diplomas and Fellowships from the UK and overseas. https://www.davidputtnam.com/masterclass-seminars @DPuttnam

Puttnam Scholars Scheme returns for third Summer Programme

08 June, 2022

 

Atticus Education, Fís Éireann/Screen Ireland, Northern Ireland Screen and Future Screens NI are delighted to announce the return of the Puttnam Scholars scheme for the third year running. 

 

The pioneering cross-border initiative provides eight individuals four Northern Ireland residents and four from the Republic of Ireland) the opportunity to attend six two-hour online masterclasses with Oscar-winning producer Lord David Puttnam (Midnight Express, Chariots of Fire, The Mission, The Killing Fields). 

 

The participants receive a special Scholarship from Atticus Education for their future career development. The scholarship bursaries are supported by Accenture in Ireland. Screen Ireland are working closely with four Irish universities to select four Puttnam Scholars from the Republic of Ireland, while Future Screens announced the recruitment process in Northern Ireland earlier this month. The Puttnam Scholars’ application form for Northern Ireland applicants is available on the Future Screens NI website.

 

Lord Puttnam said: “We created this initiative in 2020 and its already developed as a unique opportunity in the development of an exciting new generation of talent. Cinema is a vital medium for developing understanding, all the more so as we tackle serious global issues and increasingly turbulent times. This successful collaboration, between Atticus Education, Screen Ireland, Northern Ireland Screen, Future Screens NI, and supported by Accenture, has already enabled two cohorts to advance their futures in the screen industries; I’m greatly looking forward to meeting the next eight participants.”

 

Applying to the scheme as up-and-coming writers, directors, or producers, the chosen Puttnam Scholars will have either made their first feature or television drama or will be in the process of developing their first feature or television drama.

 

A Puttnam Scholar, Isabella Dijalil-Devine, said of her experience in 2021’s cohort that “the programme was inspiring, informative, and fun. Lord David Puttnam and his guests shared their advice and experience generously, not just about filmmaking but also about the industry as a whole. I felt very motivated and encouraged to take steps in my career, and I am very grateful to have had the opportunity to take part. 

 

Over the course of the sessions, Lord Puttnam will explore the following themes: The Power of Identity; The Evolution of Creativity; Fact or Fiction; Builders and Brokers; Music and Meaning; and Interpreting the Future.

 

Alastair Blair, Country Managing Director, Accenture Ireland said, “We’re delighted to, once again, support the Puttnam Scholars Scheme. Ireland’s screen and creative industries are thriving, making a significant contribution to the economy each year. Programmes like these, which focus on the ongoing development of Irish talent and encourage the next generation of filmmakers to build their careers, are vital in ensuring that Ireland is a creative capital, now and into the future.”

 

The masterclasses will be online and fully interactive with special guests and content appearing across the course. The sessions are designed to enhance participants’ understanding of the creative process and the cultural context within which the screen industries operate.

 

Amy Castle

Communications

Atticus Education

[email protected]

Brian Oh

Marketing & Communications Coordinator

Screen Ireland

[email protected]

Deirdre Mac Fadyen

Business Support

Future Screens NI

[email protected] +44 7716 700068

About Atticus Education

Atticus Education is an online education company created by film producer and educationalist, Lord Puttnam. Atticus delivers live interactive seminars to educational institutions around the world, providing high-quality resources to support learning using advance digital distribution systems. Atticus provides content relating to different aspects of the creative industries. David Puttnam is the chair of Atticus Education. He spent thirty years as an independent producer of award-winning films including The Mission, The Killing Fields, Local Hero, Chariots of Fire, Midnight Express, Bugsy Malone and Memphis Belle. His films have won ten Oscars, 31 BAFTAs and the Palme D’Or at Cannes. From 1994 to 2004 he was Vice President and Chair of Trustees at the British Academy of Film and Television Arts (BAFTA) and was awarded a BAFTA Fellowship in 2006. He retired from film production in 1998 to focus his work on public policy as it relates to education, the environment, and the creative and communications industries. He was awarded a CBE in 1982, a knighthood in 1995 and was appointed to the House of Lords in 1997 and retired in 2021. In France he was made a Chevalier of the Order of Arts and Letters in 1985, becoming an Officer in 1992, and a Commander in 2006. He is the recipient of over 50 Honorary Degrees, Diplomas and Fellowships from the UK and overseas. https://www.davidputtnam.com/masterclass-seminars @DPuttnam

eQuinoxe Europe announces a new Creative Producing masterclass in collaboration with Atticus Education. There will be six classes overall, with five online and one in-person. Further details on the application process will be announced on the eQuioxe Europe website later this month: News eQuinoxe Europe (equinoxe-europe.org).