"To me, ‘Brexit’ is just a word. As yet it has no tangible meaning beyond a cry of pain from thirteen million British people who felt sufficiently ill-informed and left behind to opt to go ‘back to the future’. But of course we can't, life as with all things will inexorably move on. Politically, a great deal is likely to change in Europe over the next couple of years, possibly enough to encourage a re-consideration, within the EU as much as the UK, of the extraordinary damage that will unquestionably result if the broad vision of a united, prosperous and peaceful Europe is clumsily allowed to unravel." - Lord Puttnam, A Soul for Europe Debate, October 2016

Lord Puttnam’s work as a film producer has often been perceived as both wholly British and fundamentally European. This dual identity was cultivated in part by his exposure at the Cannes Film Festival throughout the 1970s and 1980s, highlighted when The Mission was awarded the Palme D’Or in 1986.

Following his time in California in the late 1980s, Lord Puttnam returned to the UK more aware than ever of his identity as a European film maker and quickly became involved in several European ventures that continue to exit today. These include the European Film Academy (f. 1988), the Media Business School (f. 1991), ACE (Ateliers du Cinéma Européen, f.1993), and The Club of European Producers (f. 1993).

Following the result of the Brexit referendum in June 2016, Lord Puttnam’s deep connections with Europe have contributed to his ongoing assertion that Britain’s relationship with the EU should remain as close as possible.

In particular, he believes that film, TV and the creative industries will be “massively impoverished” by life outside the EU. For example, in a recent speech at the House of Lords, he drew attention to the UK’s thriving visual effects and animation business, which relies on EU citizens for almost half its workforce. Similarly, speaking to the House of Lords on Brexit: Creative Industries in January 2017, Lord Puttnam argued that:

Our screen industries, like the broader creative industries, have been among the great economic success stories of the past two decades, so it becomes imperative that we do everything in our power to minimise any harm that might arise from the Government’s decision to leave the EU single market.

Considering the extent to which Lord Puttnam identifies himself as a European, it is perhaps unsurprising that he has chosen to live in Ireland, a nation he believes to be ‘thoroughly European’. In fact, among other things, this aspect of Ireland’s identity is one of the main reasons why he calls it home.

The Irish Times, June 27, 2016

"The fault lies not so much with the people who foolishly voted to leave, but with people like myself and those in the media who did not pay enough attention to addressing and correcting people's misapprehensions ….We have allowed a kind of Monty Python parody of Europe to become commonplace, and we've entirely failed to correct it."

Lord Puttnam
1 April, 2022
eQuinoxe Europe announces a new Creative Producing masterclass in collaboration with Atticus Education
Activities Europe Recent Activities Recent Activities
27 April, 2019
Filmmaker David Puttnam is deeply troubled by BREXIT by Graham Clifford, The Irish Times
Activities Europe
14 February, 2019
Lord Puttnam made an intervention during the House of Lords Debate on ongoing discussions with the.
Activities Europe
8 December, 2017
Lord Puttnam considers Patarei Sea Fortress for Arctic 30 Film
Activities Europe
28 November, 2017
Lord Puttnam delivered the closing keynote address at Kosmos IMAX Cinema, Tallinn.
Activities Europe